Single dating ch
Testore of Department of Materials Science, Turin Polytechnic and G. If the samples had been unravelled or shredded rather than being given to the laboratories as whole pieces of cloth, then it would have been much more difficult, but not impossible, to distinguish the shroud sample from the controls.
Vial of Musée des Tissues and Centre International d'Étude des Textiles Anciens in Lyon), Dr M. Tite of the British Museum, representatives of the three radiocarbon-dating laboratories (Professor P. (With unravelled or shredded samples, pretreatment cleaning would have been more difficult and wasteful.) Because the shroud had been exposed to a wide range of potential sources of contamination and because of the uniqueness of the samples available, it was decided to abandon blind-test procedures in the interests of effective sample pretreatment.
Photography of the shroud by Secondo Pia in 1898 indicated that the image resembled a photographic 'negative' and represents the first modern study.
Subsequently the shroud was made available for scientific examination, first in 19 by a committee appointed by Cardinal Michele Pellegrino .
On the basis of the stylistic details and the historical evidence the cope could be dated at ~ AD 1290 - 1310 (reign of King Phillipe IV).
Because it was not known to what degree dirt, smoke or other contaminants might affect the linen samples, all three laboratories subdivided the samples, and subjected the pieces to several different mechanical and chemical cleaning procedures.
The Arizona group split each sample into four subsamples.
The procedures for taking the samples and treating the results were discussed by representatives of the three chosen laboratories at a meeting at the British Museum in January 1988 and their recommendations = standard deviation) errors, of the Shroud of Turin and control samples, as supplied by the three laboratories (A, Arizona; O, Oxford; Z, Zurich) (See also Table 2.) The shroud is sample 1, and the three controls are samples 2-4. The sampling of the shroud took place in the Sacristy at Turin Cathedral on the morning of 21 April 1988. All these operations, except for the wrapping of the samples in foil and their placing in containers, were fully documented by video film and photography.
Among those present when the sample as cut from the shroud were Cardinal Anastasio Ballestrero (Archbishop of Turin), Professor L. The laboratories were not told which container held the shroud sample.
Gonella (Department of Physics, Turin Polytechnic and the Archbishop's scientific adviser), two textile experts (Professor F. Because the distinctive three-to-one herringbone twill weave of the shroud could not be matched in the controls, however, it was possible for a laboratory to identify the shroud sample.
But the three laboratories undertook not to compare results until after they had been transmitted to the British Museum.
Also, at two laboratories (Oxford and Zurich), after combustion to gas, the samples were recoded so that the staff making the measurements did not know the identity of the samples. On the basis of the Islamic embroidered pattern and Christian ink inscription, this linen could be dated to the eleventh to twelfth centuries AD. Linen from the collection of the Department of Egyptian Antiquities at the British Museum, associated with an early second century AD mummy of Cleopatra from Thebes (EA6707).